Doctor Who S1, S2 + Specials

In Empire of Death, our team played a key role in bringing the return of Sutekh to life. We worked closely across the previs and postvis stages to visualise his dramatic final sequence—shaping the pacing, composition and narrative flow of the climactic VFX moment. Many of the shots developed during previs and postvis translated almost identically to the final screen, highlighting the strength of our collaborative visual storytelling process.

VFX Design

Our role in VFX design created a seamless bridge between concept and final execution and we developed designs that carried through the entire pipeline which helped shape the visual identity of this new era of Doctor Who. From initial sketches to fully realised effects and sequences, our work helped bring the show’s vision to life.

One of the most ambitious undertakings was Season Two’s Interstellar Song Contest. With VFX design led by Dan May, the entire episode required an extraordinary level of VFX craftsmanship; from designing a striking spaceship to the spectacle of the stage and meticulously planning camera and lighting design to immerse audiences in the Intergalactic event. Alot of this work had to be done up front so we can create motion graphics VFX for some of the arena shots to playout in the screens in one of the main sets. We also had to previs some complex sequences for all the anti Gravity set pieces.